The Microtonal Village, Vol.1 (English)

Aus dem Inhaltsverzeichnis:

Agustín Castilla-Ávila: Prologue

Afamia Al-Dayaa: Lou Harrison’s Piano Concerto and the Kirnberger Well-Temperament

Bill Alves: The Origins of Lou Harrison’s “Free Style”

Rafał Barcella: Time and sound askew. On durational notation

Can Bilir: Koan or Paradox: A Brief Critique on AI-Turn and its Impacts on Microtonal Space and the Art of Composition

Agustín Castilla-Ávila: Turning tonal into microtonal

Faustina Dedūraitė: A Chess Tournament of Strictness and Freedom: Microdimensional Strategies in the Music of Rytis Mažulis

Leonid Galaganov: Expressive Affordances of 24-EDO in Christopher Trapani’s End Words

Felipe Pinto d’Aguiar: Two Strategies for Utilizing Microtones in Orchestral Settings

John Schneider: Harry Partch: Radical Innovator

Eleni Ralli: The transcription process: parameters to consider, challenges, and proposed solutions in Harry Partch’s work

Ulf-Diether Soyka: Microtonal Modulations

Luke Anthony Villavicencio: Pitch in High Definition: A Theory of Western Microtonal Music

Orlando Zavala Galindo: The Pythagorean Xylophone